The Pi twist
The life of Pi Review
“Life of Pi” is a 2012 American survival drama film based on Yann Martel's 2001 novel of the same name. Directed by Ang Lee, the film's adapted screenplay was written by David Magee, and it stars Suraj Sharma, Irrfan Khan, Rafe Spall, Gérard Depardieu, Tabu, and Adil Hussain.
“Life of Pi” story started when his parents decided to sell their zoo in India and move to Canada, Santosh and Gita Patel board a freighter with their sons and a few remaining animals. Tragedy strikes when a terrible storm sinks the ship, leaving the Patels' teenage son, Pi (Suraj Sharma), as the only human survivor. However, Pi is not alone; a fearsome Bengal tiger has also found refuge aboard the lifeboat. As days turn into weeks and weeks drag into months, Pi and the tiger must learn to trust each other if both are to survive.
The main question that the viewers find themselves wondering about, for a great part of the film, is how did the story explained? When watching the movie, I discovered that the story is told in two different kind of tales.
One is the story with the animals, which in this version of Pi’s tale, the cargo ship sinks and, during the ensuing chaos, he is joined on the lifeboat by a ragtag group of zoo animals that also managed to escape: an orangutan, a spotted hyena, a zebra with a broken leg, and a Bengal Tiger (named Richard Parker). After some time, Pi watches helplessly as the hyena kills the zebra and then the orangutan before it is, subsequently, dispatched by Richard Parker. Pi then sets about conditioning the tiger through rewarding behavior (food and fresh water), so that the two can co-exist in the boat. Though Pi succeeds, the pair remain on the verge of starvation – until, after several months at sea, they wash ashore an uncharted island packed with fresh vegetation and a bountiful meerkat population. Pi and Richard Parker stuff themselves, but soon discover that the island is home to a carnivorous algae that, when the tide arrives, turns the ground to an acidic trap. Pi realizes that eventually the island will consume them – so he stocks the lifeboat with greens and meerkats and the pair sets sail again. When the lifeboat makes landfall along the Mexican coast, Pi and Richard Parker are once again malnourished – as Pi collapses on the beach, he watches the Bengal Tiger disappear into the jungle without even glancing back. Pi is brought to a hospital – where he tells the animal story to the Japanese officials. However, when the agents do not believe his tale, the young survivor tells a different version of his journey.
Now for the second version of the story, In this version of Pi’s tale the cargo ship still sinks, but instead of the ragtag group of animals in the lifeboat, Pi claims that he was joined by his mother (Gita), the ship’s despicable cook, and an injured Japanese sailor. After some time, fearing for the limited supplies in the boat, the cook kills the weakened Japanese sailor, and later, Gita. Scarred from watching his mother die in front of his eyes, Pi kills the cook in a moment of self-preservation (and revenge).
Pi does not mention his other adventures at sea (the carnivorous island, etc) but it’d be easy to strip away some of the fantastical elements in favor of more grounded (albeit allegorical) situations. Maybe he found an island but realized that living is more than just eating and existing – deciding to take his chances at sea instead of wasting away in apathy on a beach eating meercats all alone. Of course, that is purely speculation – since, again, Pi does not elaborate on the more grounded human story beyond the revelation that he was alone on the lifeboat.
The ending of the story, when there is a small plot twist when the writer start a conversation to us by telling that the hyena is the cook, the Orangutan is Pi’s mother, the Zebra is the sailor and Richard Parker is the Pi itself. However, that was not the original attention of the writer of the book and neither the film maker. It makes us believed to it by the expression that was given from Pi itself at the end of the story in which makes the viewers believe it was the real meaning behind it. This also proof that he was uncomfortable facing the true horror of his experience.
That said, aside from all the theological implications, and regardless of personal preference, it’s insular to view the ending as simply a dismissal of everything that Pi had previously described (and/or experienced) – since, in keeping with his view that every religious story has worthwhile parts, a third interpretation of the ending could be that the “truth” is a mix of both stories.
